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- Originaltitel : The Day After Tomorrow
- Film titel i ditt land : The Day After Tomorrow
- År av film : 2004
- Genrer av film : Action, Äventyr, Science Fiction, Thriller,
- Status för film : Released
- Släppdatum för film : 2004-05-26
- Företag av film : Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema,
- Länder film : United States of America,
- Språk film : English, 日本語, Français, العربية, Español,
- Varaktighet film : 124 Min
- Genomsnittlig röst av film : 6.2
- Youtube ID för filmen : Ze8Gshk53Y8
- Översättning av film : TH,ID,FR,SV,DE,RU,TR,FI,ZH,CS,PT,HU,PL,NO,SR,HE,EL,UK,KO,PT,CA,RO,EN,IT,NL,DA,BG,JA,FR,ES,ZH,
- Aktörer som film :Emmy Rossum (Laura Chapman), Carl Alacchi (Venezuelan Delegate), Russell Yuen (Hideki, Adrian Lester (Simon), Kenneth Moskow (Bob), Christopher Britton (Vorsteen), Russian Astronaut), Dash Mihok (Jason Evans), Jake Gyllenhaal (Sam Hall), Arjay Smith (Brian Parks), Mimi Kuzyk (Secretary of State), John Maclaren (Veteran Scientist), Nassim Sharara (Saudi Delegate), Vitali Makarov (Yuri, Japanese Astronaut), Michel 'Gish' Abou-Samah (Saudi Translator), Christian Tessier (Aaron), Kenneth Welsh (Vice President Becker), Glenn Plummer (Luther), Ian Holm (Terry Rapson), Sela Ward (Dr. Lucy Hall), Austin Nichols (J.D.), Sasha Roiz (Parker), Richard Zeman (Flight Director), Jay O. Sanders (Frank Harris), Dennis Quaid (Jack Hall), Tamlyn Tomita (Janet Tokada), Perry King (President Blake), Nestor Serrano (Gomez)
0319262
The Day After Tomorrow den korrekta film skapad av Lions Gate Films, Twentieth Century Fox Film Corporation, Centropolis Entertainment, Mark Gordon Productions, Mel's Cite du Cinema, som har en beskrivning av filmen är "Vad skulle hända med världen om växthuseffekten och den globala uppvärmningen fortsatte i sådan utsträckning att de en dag resulterade i en världsomfattande katastrof som flertaliga orkaner, tromber, jordbävningar, tidvågor, översvämningar och början på en ny istid?". Filmen är producerad med utmärkt grafisk kvalitet, bäst ljudkvalitet och bäst starring aktörer.
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Lighting Technician : Stéphane Byl, Boom Operator : Timothy P. Salmon, Executive In Charge Of Production : Vanessa R. Jordan, Visual Effects Producer : Todd Isroelit, Production Manager : Daniel Auclair, Set Decoration : Paul Hotte, Art Direction : Réal Proulx, Supervising Sound Editor : Larry Kemp, Set Medic : Jean Marchand, Painter : Gloria Ciraolo, Associate Producer : Lawrence Inglee, Art Direction : Martin Gendron, Original Music Composer : Thomas Wanker, First Assistant Sound Editor : Victor Ray Ennis, CG Supervisor : Sean Andrew Faden, Negative Cutter : Gary Burritt, Dolly Grip : Alain Masse, Visual Effects Supervisor : Conny Fauser, Makeup Artist : Sharon Ilson, Foley : Glenn T. Morgan, Key Grip : Marc Andrus, Finance : Linda Strause, Color Timer : Michael Eaves, Visual Effects Supervisor : Colin Strause, Executive Visual Effects Producer : Marc Sadeghi, Electrician : Paul Postal, Executive Producer : Ute Emmerich, Sequence Leads : Jason Iversen, Director of Photography : Ueli Steiger, Visual Effects Coordinator : Erica Headley, Modeling : Yoshiya Yamada, Camera Operator : Bill O'Drobinak, Unit Manager : Paul Boutin, Property Master : Claire Alary, Special Effects : Neil Corbould, Visual Effects Producer : Jody Echegaray, Sound Recordist : Jon S. Trebilcock, Construction Coordinator : Alain Brochu, Set Designer : Caroline Alder, Sound Effects Editor : Michael Kamper, Digital Producer : Andra Bard, Set Designer : Hugo Santiago, Gaffer : Logan Leabo, Camera Operator : Gary L. Camp, Sound Designer : Harry Cohen, Lighting Supervisor : Chris Wells, CG Supervisor : Andrew Waisler, Set Costumer : Arlynn Abseck, Script Supervisor : Kim Berner, Camera Operator : Alfonso Maiorana, Stand In : Martin Brisebois, Music Editor : Emanuele Arnone, Helicopter Camera : Steve Hertler, Steadicam Operator : Gary L. Camp, Script Supervisor : Sophie Boyer, Author : Jeffrey Nachmanoff, Location Manager : Lily Flaschner, Set Designer : Stephanie Gilliam, Camera Operator : Eric Goethals, Visual Effects Editor : Nicolas Anastassiou, Transportation Coordinator : Javier Gunther, Stunt Coordinator : Charlie Brewer, Utility Sound : Schavaria Reeves, Key Costumer : Valerie T. O'Brien, Construction Coordinator : Michel Brochu, Camera Operator : Peter Hutchison, Sound Re-Recording Mixer : Doug Hemphill, Visual Effects : Kristen Branan, Conductor : Blake Neely, Visual Effects Supervisor : Ian Hunter, Visual Effects Producer : Michael Meagher, Creature Technical Director : Vijay Myneni, Makeup Effects : Adrien Morot, Sound Designer : Randy Kelley, Carpenter : Jane Kilkenny, Systems Administrators & Support : Joe Ardent, Stunts : Marcello Bezina, Lighting Artist : David B. Menkes, Transportation Co-Captain : Spiro Tsovras, Makeup Effects : Sylvania Yau, Construction Coordinator : Rejean Brochu, Transportation Captain : John Bober, Associate Producer : Kim H. Winther, Visual Effects Producer : Petra Holtorf, Casting : Randi Wells, I/O Supervisor : Ryan Beadle, Camera Technician : Steven J. Winslow, Makeup Artist : Elisabeth Fry, Camera Operator : Georgia Packard, Key Hair Stylist : Janis Clark, Hairstylist : Sandy DeBlasio, Supervising Sound Editor : Mark P. Stoeckinger, First Assistant Director : Kim H. Winther, Steadicam Operator : Francois Archambault, Video Assist Operator : Julie Garceau, Production Sound Mixer : Douglas J. Schulman, Unit Production Manager : Joe Dishner, Second Assistant Director : Erik Ajduk, Sound Designer : Alan Rankin, Special Effects Supervisor : Louis Craig, Supervising Art Director : Claude Paré, Set Designer : Vincent Gingras-Liberali, Key Makeup Artist : Kathryn Casault, Casting : April Webster, Costume Supervisor : Kenn Smiley, Pilot : Al Cerullo, Craft Service : Chris Winn, Art Direction : Tom Reta, First Assistant Camera : Michel Bernier, Transportation Coordinator : Daniel Matthews, Sculptor : Andrew Semple, Set Designer : Frédéric Amblard, Scenic Artist : Donald Beaulieu, Post Production Assistant : Jeff Schweikart, Casting Associate : Scott David, Set Decoration Buyer : Stacy Weddington, Visual Effects Supervisor : Jerry Spivack, Unit Publicist : Joe Everett, Art Direction : Michele Laliberte, 3D Supervisor : Rina Strause, Construction Foreman : Eric Lafrance, Location Manager : Kenneth E. Fix, Stunt Coordinator : Branko Racki, Visual Effects Supervisor : Rocco Passionino, Second Unit Cinematographer : Anna Foerster, Driver : Chris Haynes, Assistant Production Coordinator : Guylaine Boucher, Leadman : David M. Milstien, Still Photographer : Kerry Hayes, Executive Producer : Stephanie Germain, Assistant Art Director : Camille Parent, Author : Roland Emmerich, CG Supervisor : David Prescott, Roto Supervisor : Stephanie Taubert, Sound Mixer : David O. Daniel, Techno Crane Operator : Richard Boucher, First Assistant Editor : Quincy Z. Gunderson, Costume Design : Renée April, 3D Animator : Jeremy F. Butler, Technical Supervisor : Irfan Celik, Visual Effects Supervisor : Karen E. Goulekas, Casting Assistant : Bryan Riley, Sound Engineer : John Bires, 3D Artist : Zack Judson, Animation Supervisor : Danny Gordon Taylor, Local Casting : Cate Praggastis, Rigging Gaffer : Gilles Fortier, ADR & Dubbing : Derek Casari, Software Engineer : Chamberlain Fong, Grip : Joost Clerinx, Visual Effects Producer : Casey Conroy, Third Assistant Director : Paul Drouin, Visual Effects Editor : Michael Cavanaugh, Best Boy Electric : Edison Jackson, Music Editor : Bob Beher, Production Coordinator : Danielle Boucher, Loader : Amelie Duceppe, Visual Effects Supervisor : Remo Balcells, Location Manager : Céline Daignault, Hairstylist : Kathryn Powell, Original Music Composer : Harald Kloser, Storyboard : Timothy Burgard, Editor : David Brenner, Production Illustrator : Michael Meier, Set Designer : Karl J. Martin, Costume Supervisor : Robert Q. Mathews, Visual Effects Producer : Mike Chambers, Still Photographer : Takashi Seida, Line Producer : Tavin Marin Titus, Co-Producer : Thomas M. Hammel, Digital Compositors : Sean Apple, Art Department Assistant : Una Martin, Visual Effects Supervisor : Greg Anderson, Sound Recordist : Tim Gomillion, Visual Effects Supervisor : Greg Strause, Chief Lighting Technician : Jean Courteau, Rigging Grip : Richard Complaisance, Art Department Coordinator : Nancy A. King, Post Production Supervisor : Jeffrey Harlacker, Sound Recordist : Chris Walmer, Visual Effects Producer : Raoul Bolognini, Matchmove Supervisor : Alia Agha, Production Accountant : Manon Lapointe, Producer : Roland Emmerich, First Assistant Editor : Robert Berman, Visual Effects Supervisor : Richard Britton, Hairstylist : Réjean Forget, Camera Operator : Francois Archambault, Orchestrator : Frank Bennett, 24 Frame Playback : Marie-Pierre Tétreault, Casting : Andrea Kenyon, Sculptor : Lucie Fournier, Utility Stunts : Nick Brandon, Sound Recordist : Dennis Rogers, Digital Intermediate : Lorene Simpson, Dialogue Editor : James Matheny, CG Supervisor : Dagan Potter, Production Design : Barry Chusid, Director : Roland Emmerich, Set Dresser : Louis Dandonneau, Propmaker : Patrice Jacques, Set Decoration : Victor J. Zolfo, ADR Editor : Kerry Dean Williams, Digital Effects Supervisor : Bryan Grill, Visual Effects : Diane Macke, Visual Effects Art Director : Alexander Laurant, Assistant Property Master : Eric Bardin, Costume Coordinator : Lyse Pomerleau, Camera Loader : Charlie Newberry, Property Master : Denis Hamel, Producer : Mark Gordon, Rigging Gaffer : Frank Dorowsky, Visual Effects : Michael Leung, Set Designer : Alex Touikan, Executive Producer : Kelly Van Horn, Makeup Effects : George Tucci, Second Unit Cinematographer : Tom Yatsko, Set Designer : Steve Cooper, Pre-Visualization Supervisor : Daniel Fort, Musician : Maria Newman, Makeup Effects : C.J. Goldman, Visual Effects Supervisor : Chris Watts, Construction Coordinator : Bruce Di Valerio, Dialogue Editor : Daniel S. Irwin, Set Production Assistant : Mariana Acuña Acosta, Sound Designer : Ann Scibelli, Art Direction : Gerald Sullivan, CG Supervisor : Hans Uhlig
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